Showing posts with label musicals. Show all posts
Showing posts with label musicals. Show all posts

1/06/2010

Cheyenne Jackson

Cheyenne Jackson (born July 12, 1975) is an American actor and singer.

- Early in his career, he worked as a back up singer for Vanessa Williams, Heather Headley, and Liza Minnelli.

- 2005: Originated his first Broadway leading role as Elvis Presley in All Shook Up earning him a Theatre World Award for "Outstanding Broadway Debut".

- Portrayed Mark Bingham in the 2006 Academy Award nominated United 93 which earned him the Boston Society of Film Critics 2006 award for "Best Ensemble Cast".

- Is a recurring series regular, portraying Jack/Danny Baker on NBC's 30 Rock; has also guest starred on several series including Lipstick Jungle, Life on Mars, and Ugly Betty.

- 2009: Starred in a sold out one man show, Back to the Start; later teamed up with Michael Feinstein to create nightclub act The Power of Two which was praised by the New York Times, Variety, and the New York Daily News among others. A CD of the show was released on November 3, 2009.

- 2008: Named Out magazine's "Entertainer of the Year".

- Is an international ambassador for amfAR (The Foundation for AIDS Research).

- Was born in Idaho and named by his father after a 1950s Western series; his father is a Native American and a Vietnam vet.

- His parents were evangelical born-again Christians and this caused tension when he came out to them as gay at 19; eventually they accepted his homosexuality.

- Jackson's partner, Monte, is a physicist; they have been together since 1999.

Cheyenne Jackson - official site

Interview with Broadway star Cheyenne Jackson (vid)
Xanadu's leading man discusses how being gay has affected his career - and those short shorts

Cheyenne Jackson's Popeye Love
The first time that I knew I was gay I think I was, like, 7. I was watching this Valentine's Day Popeye cartoon episode that would play every year. There was this scene where Popeye was captured by Brutus, tied up with no shoes or socks on, and Brutus starts tickling his feet. I remember getting a little boner.

Broadway's 'It' Boy
Out Broadway Baby Cheyenne Jackson Lends His Talents and Chops to Metro-D.C. PFLAG

Last year, Out Magazine named budding actor Cheyenne Jackson its Entertainer of the Year. "It was a great honor," says Jackson, best known as the star of Broadway's Xanadu. "But in terms of what I have to offer, they ain't seen nothing yet."

From Broadway to television to film, Jackson is certainly one of today's hardest-working men in show business. The actor, who got his start in Washington state but who has called New York home for the past few years, is even preparing to launch a recording career.

"I want to stay challenged and I want to stay busy," he says. "I work really, really hard. My family would say too hard because I never seem to give myself a break. But I love it." [...]

Live Chat with Cheyenne Jackson
Why do we never see your partner, is he real or imaginary?
you never see my partner because he doesn't want to be seen. he says he is like the amish, that if you take his picture, you take part of his soul.

believe me, if i had my way, he would be on my arm at every bloody event, he's hunky and hilarious, but he is just private. but if you are really stealth, you can catch him sometimes. be on the lookout for the 6'4" scientist who ducks out of every photo op....






FINIAN'S RAINBOW

BACKSTAGE VLOG

XANADU
PLEASE TURN OFF ALL CELL PHONES AND PAGERS...
[CheyenneJackson.com - EXCERPT]
I’LL leave you with a funny Xanadu story. Now at this point, I am used to distractions at Xanadu. People sometimes shout things, some people stand up and dance, a couple weeks ago, the entire onstage seating was full of drag queens......you get the picture. So last week at a matinee, I am doing my monologue that starts the show and right as i get up from my chalk drawing and come down center stage, some ladys’ cell phone goes off. Not one ring, not two rings, but five long rings....and not normal cell phone rings, but strange sounding, high-pitched rings. I was annoyed. I saw the lady who I thought it was coming from and I decided to put her on the spot a bit. She saw me looking at her and tried to clumsily shut it off, but it continued to beep, beep......beep. Something came over me, my concentration was completely gone at this point, and I just stopped the show and said...."and now, we wait.”......and I just looked at her. The beeping finally stopped, she smiled up at me, I took a breath and went on with it.

Later, backstage we all were laughing and re-telling the story to others who hadn’t heard what I had done, and swapping other cell phone horror stories like how Nathan Lane would grab the phone and shout into it...."SHE CAN"T TALK TO YOU RIGHT NOW SHE’S WATCHING A SHOW!”.....Or how Billy Crystal and Brian Dennehy would deal in similar and swift fashion. I was feeling very proud of myself to be included with these guys when the house manager came up to me and quietly said......."Just wanted you to know that that wasn’t a cell phone, it was feedback from a ladys’ hearing aide.”

So if by any chance that woman is reading this........I’m sorry, and would like to treat you to a nice dinner at Applebees, which apparently is my favorite restaurant, though I’ve never been there.

2/20/2009

Jerome Robbins

Choreographer & director

Antique Epigraphs_New York City Ballet


Glass Pieces_New York City Ballet


Fancy Free_Pacific Northwest Ballet





The Cage_Australian Ballet



Ballets: U.S.A. rehearsal_1959



West Side Story

[pics: (nytimes.com) (gettyimages.com) (playbill.com) (smh.com.au) (europeanweekly.org) (dancingperfectlyfree.com) (images.google.com)]


BIO
Jerome Robbins is world renowned for his work as a choreographer of ballets as well as his work as a director and choreographer in theater, movies and television. His Broadway shows include On the Town, Billion Dollar Baby, High Button Shoes, West Side Story, The King and I, Gypsy, Peter Pan, Miss Liberty, Call Me Madam, and Fiddler on the Roof. His last Broadway production in 1989, Jerome Robbins= Broadway, won six Tony Awards including best musical and best director.

Among the more than 60 ballets he created are Fancy Free, Afternoon of a Faun, The Concert, Dances At a Gathering, In the Night, In G Major, Other Dances, Glass Pieces and Ives, Songs, which are in the repertories of New York City Ballet and other major dance companies throughout the world. His last ballets include A Suite of Dances created for Mikhail Baryshnikov (1994), 2 & 3 Part Inventions (1994), West Side Story Suite (1995) and Brandenburg (1996).

In addition to two Academy Awards for the film West Side Story, Mr. Robbins has received four Tony Awards, five Donaldson Awards, two Emmy Awards, the Screen Directors' Guild Award, and the New York Drama Critics Circle Award. Mr. Robbins was a 1981 Kennedy Center Honors Recipient and was awarded the French Chevalier dans l'Ordre National de la Legion d'Honneur. Mr. Robbins died in 1998. (jeromerobbins.org)

American Masters Bio
New York City Ballet Bio
New York Times Obit & Articles
Jerome Robbins Exhibit
Picture Gallery

All three books tell the same story, of an eagerly ambitious, desperately insecure boy who was torn about his Jewish heritage and his love and lust for men, who named names to the House Un-American Activities Committee but remained an admired dancer and went on to become a world-famous ballet choreographer, the director and choreographer of some of the great midcentury musicals, to experiment with vanguard arts and finally to settle into an autumnal old age (he died in 1998) as George Balanchine’s junior partner at the New York City Ballet. Or as autumnal as a neurotic gay Jew from New Jersey could hope to be. American Bodies

Q: What makes him an American master?

A: Robbins brought a uniquely American sensibility to his work, beginning with his landmark ballet, Fancy Free, which reflected his desire to “dance about how we are today,” rather than only perform the old Russian works that were the staples of ballet. He was a primary architect of four of the most enduring works of the American musical theater, including one, West Side Story, which was responsible for expanding and elevating the form, plus there is no more important American-born ballet choreographer. If that’s not an ‘American master,’ what is? Judy Kinberg of Something to Dance About

Something to Dance About Trailer
"My father was a book that wouldn't open its pages."-Jerome Robbins

"Jerry was a sponge: He was hungry, he was thirsty, he was dying to be somebody."

"He wasn't fun to be around. He could be mean. Mean as a snake."

"He was hell to deal with."

"I'm afraid I'll be stuck on a limb of failure and cut off."-JR

"Jerry was making money hand over fist. He was the king of Broadway."

"He was the best at staging numbers."-Stephen Sondheim

"We couldn't get anyone to produce it (West Side Story). It took three years of peddling."-JR

"He was always putting obstacles in front of us to see how quickly we could surmount them."

"When you walk into the rehearsal hall at 9 o'clock in the morning, he is the president, he is the dictator, he is God."

"Do it faster, only slower."-JR

"He was a very good collaborator, except when you had to argue a point."-SS

"Lenny (Bernstein) was afraid of two things: God and Jerry Robbins."

"He's a genius. We have to cater to genius."-Leonard Bernstein

"Musicals are so painful for me."-JR

"Jerry's insecurity was astonishing."-Peter Martin

"He had a healthy amount of self-loathing."

"He wanted to be loved so badly."

SDA Outtakes: Balanchine & Robbins
"Jerry wanted success. He wanted power, he wanted money, he wanted security."

MUSICALS
West Side Story: Cool
Fiddler on the Roof: Bottle Dance
Rita Moreno: Remembering Jerome Robbins
"He had a vicious temper. He could smell a victim a mile away."
50th Anniversary World Tour of West Side Story (pics)

BALLETS
Christopher D'amboise: Remembering Jerome Robbins
"One thing I miss about Jerry was the standard he exacted on us."
Christopher Wheeldon: Remembering Jerome Robbins
"Deep down he was a softie."
Dances at a Gathering
"It's not stressful to watch. You just sit back and enjoy."
Glass Pieces
"It's kind of relentless."

8/30/2008

Big Spender

Sean Connery


Marcello Mastroianni


Montgomery Clift


David Bowie by Neal Preston


The minute you walked in the joint
I could see you were a
Man of distinction
A real big spender
Good looking, so refined
Say wouldn't you like to know
What's going on in my mind

So let me get right to the point
I don't pop my cork
For every guy I see
Hey big spender
Spend a little time with me

Wouldn't you like to have fun, fun, fun
Hows about a few laughs, laughs
I could show you a good time
Let me show you a good time

The minute you walked in the joint
I could see you were a man of distinction,
A real big spender
Good looking, so refined
Say wouldn't you like to know what's going
On in my mind

So let me get right to the point
I don't pop my cork for every guy I see
Hey big spender
Hey big spender
Hey big spender
Spend a little time with me

Big Spender
Cy Coleman & Dorothy Fields
Sweet Charity

Big Spender in Sweet Charity (1969)

8/16/2008

The Lady is a Tramp

Elizabeth Taylor


Cyd Charisse


Ava Gardner


I've wined and dined on Mulligan stew
And never wished for turkey
As I hitched and hiked and grifted, too,
From Maine to Albuquerque.
Alas, I missed the Beaux Arts Ball,
And what is twice as sad, I was never at a party
Where they honored Noel Ca'ad.
But social circles spin too fast for me.
My Hobohemia is the place to be.

I get too hungry for dinner at eight
I like the theater but never come late
I never bother with people I hate
That's why the lady is a tramp
I don't like crapgames with Barons and Earls
Won't go to Harlem in ermine and pearls
Won't dish the dirt with the rest of the girls
That's why the lady is a tramp
I like the free fresh wind in my hair
Life without care
I'm broke, it's ok
Hate California, it's cold and it's damp
That's why the lady is a tramp

I go to Coney-the beach is divine.
I go to ball games-the bleachers are fine.
I follow Winchell and read ev'ry line.
That's why the lady is a tramp.
I like a prizefight that isn't a fake.
I love the rowing on Central Park Lake.
I go to opera and stay wide awake.
That's why the lady is a tramp.
I like the green grass under my shoes.
What can I lose?
I'm flat! That's that!
I'm all alone when I lower my lamp.
That's why the lady is a tramp.

Don't know the reason for cocktails at five.
I don't like flying-I'm glad I'm alive.
I crave affection, but not when I drive.
That's why the lady is a tramp.
Folks go to London and leave me behind.
I'll miss the crowning, Queen Mary won't mind.
I don't play Scarlett in Gone With the Wind-
That' s why the lady is a tramp.
I like to hang my hat where I please.
Sail with the breeze.
No dough-heigh-ho!
I love La Guardia and think he's a champ.
That' s why the lady is a tramp.

Girls get massages, they cry and they moan.
Tell Lizzie Arden to leave me alone.
I'm not so hot, but my shape is my own.
That's why the lady is a tramp!
The food at Sardi's is perfect, no doubt.
I wouldn't know what the Ritz is about.
I drop a nickel and coffee comes out.
That's why the lady is a tramp!
I like the sweet, fresh rain in my face.
Diamonds and lace,
No got-so what?

The Lady is a Tramp
Rodgers & Hart
Babes In Arms
(lorenzhart.org)

Jango
The Lady is a Tramp